Konsep islam dalam sastera cerita melayu: “ranjau sepanjang jalan”, shahnon ahmad.

Islamic educational concepts in a story: "obstacle along the road" by shahnon ahmad.

Abstract

Abstrak

Kajian ini bertujuan untuk memperkenalkan Shahnon Ahmad sebagai novelis Muslim, seterusnya menunjukkan konsep Islam yang dirujuk dalam novel yang ditulis dan sejauh mana kejayaannya dalam menyampaikan pengalaman yang dilalui beliau. Kajian ini mengkaji novel dalam pelbagai sudut kajian sastera, analitikal, dan kritis bertujuan mengetahui dan memahami sejauh mana konsep-konsep Islam yang dipaparkan. Kaedah kajian berdasarkan pendekatan perpustakaan induktif, iaitu dengan membaca novel, menterjemah beberapa teks yang mempunyai pengaruh Islam dan pendapat pengkritik novel secara keseluruhan. Hasil kajian mendapati novel ini secara asasnya berkonsepkan Islam di bahagian-bahagian tertentu, tetapi falsafah dan konotasinya di bahagian-bahagian lain - terutamanya topik nasib – didapati berlaku kesilapan dalam menanganinya. Dapatan kajian membuktikan novel ini merupakan novel Islamik yang memaparkan kejujuran penulis yang meluahkan apa yang berlaku di sekelilingnya dengan penuh kejujuran dan keikhlasan tanpa mengira kesilapannya yang terbilang dijari dan kesempurnaan hanya milik Allah Yang Maha Esa. Pendekatan penulisan Shahnon Ahmad membuktikan beliau layak diangkat sebagai penulis konsep Islam yang berjaya dalam mempamerkan sastera Melayu.

Abstract

This study aims to introduce Shahnon Ahmad as a Muslim novelist by showing the concept of Islam that he depicted in his novel and the extent of his success in conveying the experiences he went through. This study examines the novel from various angles of literary, analytical, and critical study in order to know and understand the extent of the Islamic concepts presented. The study method is based on library research, namely by reading the novel, translating several texts with Islamic influence, and taking into accounts the opinions of critics of the novel as a whole. The results of the study show that this novel is basically conceptualized as Islamic but its philosophy and connotations in other parts - especially the topic of fate - were found to be unIslamic in the way the writer handled them. The study findings prove this novel is an Islamic novel that displays the honesty and sincerity of the writer who expresses the reality that is happening around him. His writing approach then proved that he is worthy of being appointed as a successful writer who infuses Islamic concepts into Malay literature.